Anamcara

First of all, what an amazing house is Dusita. I've never smelled anything from Pissara to dislike. To say that I love her artwork and her choice to pair it with her father's memorable poetry would be an understatement. The entire concept sings! To me, this fragrance is wild and amazing. But the notes listed are not what I smell. Definitely my skin and possibly my associations.... From the first to the last, the combination of these notes gives me a sensation of a tropical, sweet pineapple with jungle greens and something manly and strong beneath it all. The earthiness is wonderful. As it progresses it becomes more grounded and less sticky sweet. On me, it is quite reminiscent of a less complex, ballistic Arabian oil (name long forgotten), I once had. It was also a powerful pineapple scent, leaning masculine. They have this in common: POWER. This is one strong, long lasting, and powerful fragrance experience, an adventure from beginning to end. To sum up: be happy for samples! This is not a blind buy, but a polarizing, niche-style scent of great personality. It will wear you or you will wear it. Nothing in between. I would TRULY love to smell this on a man! <3 Five stars for creativity. It may not be my signature scent of choice, but what a charmingly unique offering!

The opening of this is enormous, and tells you in an instant this is a Dusita perfume: Pissara Umavijani's signature could not be stronger. This has the requisite Dusita DNA, the materials feel very natural and high-quality, and your overwhelming sense is of a carefully blended collection of extremely opulent notes. It may be that the opening is even too much for some people because though I could smell the (more masculine) woody notes right away, the peach note and the bright white florals (especially the tuberose) are so intense that the whole thing seemed for me at first too feminine--too sweet and too stifling. But this is not a linear scent, and I actually prefer the quieter drydown to the brash opening. The white tea note became more evident as this dried down, and the overwhelming tuberose and the peach notes went away. this became quieter and subtler as it continued. I could imagine wearing this (and I am a guy) even despite the very girlish opening, but this would work best for someone looking for a lovely somewhat feminine-leaning spring floral. It was made with a lot of attention and thoughtfulness, as are all Dusita fragrances: it's very hard not to respect Umavijani as a real artist in full command of her craft.

This fragrance is so radiant, it glows. There is no other way for me to describe it. I see it as an orange ball of light that sends out happy orange rays. Like nothing I've tried before. My nose wouldn't be able to pick up the notes if I hadn't known them, except for maybe the orange blossom and petitgrain. Pure energy and good vibes, I love it

[towards the discussion with the article concerning ANAMCARA] diagonally, I have read the comment thread and I think another sublime perfume by Pissara Umavijani would be the last deserving of such throwing with dirt. if her perfumes are pricey, and I follow her since 2017, then the reasons for that have also been sublimely argumented 'below'. all of her perfumes are masterworks. next to that she is the friendliest and just sweet person you could meet or desire to meet. naming her generosity with gifts promotional activity is tautological: nowadays everything is promotional and all seem to revolve around money. perfume is already an expensive business. if perfumes are still more expensive than others I know of no person who would be so busy with how she can vampirize still more dollars out of her customers. it is precisely the other way around. through Pissara you can learn 'perfumery' and even a Haute Maison de Parfums can be FUN again. of course such great conglomerates as chanel, dior, vuitton, gucci, throw in a certain amount of marketing. Dusita is still 'mouth to mouth', if you so can speak with the means she has in hands. I immediately loved Oudh Infini and now have five flacons à € 2,000 and it isn't for prestige nor just for the exposée. I am just an arbeideristic, blue collar guy, nothing fancy, and also loved Mélodie de l'Amour and Issara. I love le Sillage Blanc and Douceur de Siam. Mélodie, Lalita and Douceur I have also bought. and I am certainly not rich. her perfumes are rich, beautiful, soothing, coming out of a soft and generous heart. I am glad such emotional 'parfumeuse' still has a place within the evermore glucose - saccharinised - synthetic - advertisementsatiated world. I am a veritable Dusita fan and coming from 1957, my perfume consciousness starting in 1974, I have seen a lot. then it was also still more romantic, naive, mysterious. flankerism still hadn't settled. I piss on the Montale bashers (brand that I love and I love all his rose-ouds) by Roja Dove, Serge Lutens, Octave Coiffan and Luca Turin adepts. he is present in Arabic sites, I see absences concerning those other posh brands. with Pissara, I am one of the les Dusitaristas (I am gay with a straight twinbrother) on this planet. and also amongst many. I love Chanel also. les exclusives and not any flanker; Coco and Allure, no 5 and no 19. I love roses, white flowers (J.A.R.'s decant of Diamond Water [carnation] 10 ml $ 265 or something). Sultan Pashas attar 'Douce Amère' 2ml $ 175. but I have also always loved Giorgio and Gale Hayman Beverly Hills. the 80s hookers. I love Versace and love vulgar. and I will always love Dusita because of her dreamlike perfumes poetically whirled up in this beautiful woman. PS the ingredients here are to die for. this shall be flowery bliss and a world 'emotional conferencing garden'.

It's a vigorous, joyful scent - a tropical paradise fit for colorful little parots :) I can nearly hear them chit-chatting in luscious, green, leafy trees with unknown fruits growing and atmosphere of joy and laugher. Lovely.